AI VFX

VFX with invideo agents

Invideo agent generates the VFX shots your project needs, on your direction. Extend sets, replace skies, generate fire, floods, and creatures, and hold one world across every shot, without a facility or a pipeline.
It multiplies what one filmmaker can produce. Shots advance in parallel off one project memory, from the first frame you establish to the final composite.

Direct the VFX. Agent carries the load.

Just tell your agent what the shot needs: a set extended into a canyon, a flash flood on the street, a storm behind your protagonist. It picks the right model, writes the prompt, and attaches your film references, so every shot generated shot looks like it belongs in the same film.

The VFX solves it handles

Set extensions and full environments

Extend the set you built into the world you could not: the ocean beyond the pool, the canyon beyond the wall, the city beyond the street corner.

Skies and backgrounds

Replace what sits behind your subject: a new sky, a new weather, a new place entirely, in your grade and your light.

The elements

Explosions, fire, smoke, rain, churning water, rolling fog. The chaotic effects that traditionally need simulation, generated on your call.

Creatures and destruction

The monster the sequence needs and the city it takes down, held consistent across the sequence, including the wrecked world after it passes through.

A new look on the shot

Restyle a sequence against a reference: the palette, the grain, the era, carried across every shot instead of graded one by one.

And the rest of the VFX toolkit is the same ask away: object removal, AI rotoscoping, relighting, de-aging, face replacement, motion tracking. Different models do different jobs, and invideo agent knows which is which. You name the solve, it routes the shot.

Extend a live action shoot

The strongest AI VFX starts with something real. Shoot your actor, your set piece, your close-ups, practically, and hand the agent stills from your own footage as references.

The agent builds the world outward from what you shot: the wides, the environments, the effects, all anchored to your real color, contrast, and light. Your performance stays practical, where it plays strongest, and the generated world carries the scale around it. One small set becomes the whole location, and the seam does not show.

How a VFX shot comes together with invideo agent

1. Upload your material
Hand the agent your script, shot list, color-graded stills, and footage, and it holds all of it in context. Every generation from here anchors to your material, not a generic look.

2. Lock one shot as your baseline
Work a single shot with the agent until it is exactly right. That shot becomes the benchmark for the sequence, so every shot after starts from your standard.

3. Build the rest
With the baseline set, call the sequence. The agent matches each shot to the model that does that job best, and the whole thing comes back on your baseline.

Every sequence starts from what you already built

Your locations, your creature, your look, your wrecked versions, all of it lives in Context. When the next sequence needs VFX, the agent already knows the world, and you direct from where you left off, not from zero.